This paper explores, mainly from a legal perspective, the extent to which the Russian regulations of traditional TV and online audiovisual media policies have been consistent with the Council of Europe (hereinafter CoE) standards. The study compares between the CoE and Russian approaches to specific aspects of audiovisual regulation including licensing, media ownership, public service media, digitalization, and national production. The paper first studies the CoE perspective through examining its conventional provisions related to audiovisual media, the case law of the European Court of Human Rights as well as the CoE non-binding documents. The paper then considers Russian national legislation governing audiovisual media and the Russian general jurisdiction courts’ practice on broadcast licensing. The paper suggests that the Russian audiovisual regulations are insufficiently compatible with the CoE standards and more in line with the Soviet regulatory traditions.
The paper addresses the questions of data science education of
current importance. It aims to introduce and justify the framework that allows
flexibly evaluate the processes of a data expedition and a digital media created
during it. For these purposes, the authors explore features of digital media
artefacts which are specific to data expeditions and are essential to accurate
evaluation. The rubrics as a power but hardly formalizable evaluation method in
application to digital media artefacts are also discussed. Moreover, the paper
documents the experience of rubrics creation according to the suggested
framework. The rubrics were successfully adopted to two data-driven journalism
courses. The authors also formulate recommendations on data expedition
evaluation which should take into consideration structural features of a data
expedition, distinctive features of digital media, etc.
Traditionally, regional mass media has been the least-studied component of the Russian media system; however, beginning from the 2000s, transformations in the nation's political and economic spheres have influenced the position of local media. This paper provides a deeper investigation of the processes and patterns underlying the development of regional mass media in modern Russia. The research is grounded on an analytical review of secondary sources, which is supported by 14 in-depth interviews with media professionals from 5 regions in Russia. The results reveal that Russia's regional media outlets operate both as commercial actors and public service actors. This duality is rooted in several multidirectional and controversial changes in the nation's economic and political systems, as well as in a journalist culture which causes media outlets to have a vague understanding of their places and functions in society.
In his recent book The Discursive-Material Knot, [Carpentier, N. (2017). The discursive-material Knot: Cyprus in conflict and community media participation. New York: Peter Lang]. Nico Carpentier identifies three nodal points of antagonistic discourse: the need for destruction of the enemy, homogenization of the self as opposed to the enemy, and the radical difference of the enemy. The latter appears when the self and the other are thought to be irreconcilably at odds, and the enemy is presented as inferior. In the more extreme cases, this radical othering leads to a dehumanization and demonization of the other, which makes the destruction of the enemy easier. Using post-Maidan social confrontation within Ukraine and its Facebook discussions as a case study, this paper analyzes how exactly the radical othering and subsequent dehumanization of the enemy is discursively structured, and describe the conditions under which such extreme manifestations of conflict could be eliminated with the ultimate goal of transforming antagonistic into agonistic discourse.
The purpose of this book is to develop academic skills of writing an extended essay. The process of developing this skill consists of six steps: title analysis, writing an introduction, main part paragraph development and writing a conclusion. Two lessons are devoted to writing an abstract and a summary. The last step is compiling bibliography. During this course attention is given to ways of avoiding plagiarism and punctuation issues.
The book contains Appendix with sample essays written by ICEF and School of Design students (National Research University Higher School of Economics). It is meant for classroom work but can be used for self-study, too.
25 years after the first publication of Media Events: The Live Broadcasting of History (Dayan and Katz 1992), not only has the concept of media events firmly taken root in media theory, but it has also been developed considerably as a result of multiple critical interpretations. Going beyond a neo-Durkheimian ritual perspective, which emphasized the integrative role of ceremonial media events, has allowed a number of authors to identify such genres as ‘disruptive’, ‘traumatic’ or ‘conflictual’ media events, including, first and foremost, terror, disaster and war (Cottle 2006; Dayan 2008; Hepp and Couldry 2010; Katz and Liebes 2007; Mitu and Poulakidakos 2016). However, there is another type of events targeting social and cultural change, which do not exactly fit the ‘integrative/disruptive’ opposition, even if these events take the form of protest, for ‘protests and strikes are agreed forms of sanctioned disruption’ (Katz and Liebes 2007: 159). Until protest grows into a revolution and civil war, it is an instance of ‘ritual’ chaos, constituting a part of the order. Events of this type show some features of social drama and cultural performance (Turner 1974, 1982; Alexander 2006, 2011). Nevertheless, not every ‘transformative media event’ (Mihelj 2008) has such radical goals and sweeping scale.
‘Transformative media events’ are initiated in public spaces by citizens, whose disagreement with certain social conditions and/or a call for change they express. The transformative power can be an inherent element of the event (for instance, in the case of a protest action), or can emerge as a result of public response to a published opinion or document (such as a YouTube video recording police abuse). The latter case includes practices of ‘sousveillance’ (Mann et al. 2003) or ‘citizen witnessing’ (Allan 2013) directed at the democratization of social relations. A key feature of ‘transformative media events’ is their tight connection to the ‘citizen media’, by means of which they become visible and powerful. In this context it seems useful to consider media events as ‘user-generated media events’ (Mitu 2016), ‘new media events’ (Neverson and Adeyanju 2017), ‘transmedia events’ (Bacallao-Pino 2016), etc.
In this paper, we propose an alternative approach to analysing the current duality of the Russian media system, which for a long time was regarded as transitional. We propose to interpret the current Russian media system in terms of institutional conflict between norms, which were artificially implemented and the grounded informal rules embodied in everyday practices both from market agents and audiences. Mainly implemented after the collapse of the Soviet Union, the norms were based on a neo-liberal representation of the media system, involving financial independence of the media from the state, a ‘news culture’ instead of a ‘propaganda culture’ and so on. At the same time, the informal rules were based on the paternalistic role of the state, the accessibility tradition and the fragmentation of the public sphere. The interaction of such elements forms the dualist or ‘uncertain’ character of the media system.
What is hybrid warfare? And what role does information play in today's conflicts? In the context of the technological/information revolution of the last two decades—which has greatly amplified the danger posed by nonmilitary means of political struggle—Hybrid Conflicts and Information Warfare addresses these questions from the perspectives of both Western and Russian experts.
Incorporating both theory and contemporary realities, including the case of the Islamic State, the authors offer a unique dialogue on the nature of conflict in the second decade of the twenty-first century.
within the framework of cultural discourse, the concepts of "brand" and "branding" are considered
The emerging global economic crisis forms the conditionsfor drastic transformations of the very architecture of the world economy. That creates both opportunities and challenges for Russia.
The culture of hospitality is seen as a cultural phenomenon. Relevant practices are analyzed.
The phenomenon of business culture is analyzed. The history of the study of this phenomenon in the framework of cultural studies
The tragic death of John F.Kennedy was a major turningpint of the XX century that reflected the global military-political contradictions as well as domestic crisis of American politics
The genesis of culture is considered as the process of the emergence and development of gaming practices. The system of views on the game in cultural science is analyzed.
Сategory "image" is considered in the framework of cultural discourse
Intercultural communication is considered as a cultural form and as part of communication theory.
The tragic death of John F.Kennedy should be addressed not only within the framework of the dramatic changes that occured at the intermational arena in the beginning of the 1960s, but also from the polnt of view of the crisis of American establishment that was underway the the US. Also the internal transformations in the USSR should be considered.